XVII-XIX CENTURY 
_ OIL PAINTINGS 


3 


THE COLLECTION OF 


M. André Harpman 


THE HAGUE 
HOLLAND 


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American Art Association: Inc 
MADISON AVENUE - 56TH TO 57TH STREET 


NEW YORK CITY 
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ives bIGLe RE XAIBITION 


From Saturday - October 15 Until Time of Sale 
Weekdays g to 6 » Sunday 2 to 5 


UNRESTRICTED PUBLIC SALE 


Thursday Evening October 20 
Beginning at 8:15 O’clock 


EXHIBITION & SALE AT THE 


AMERICAN ART GALLERIES 
Madison Avenue ~ 56th to 57th Street 
New York City 


ges ° 


SALES CONDUCTED BY 
Mr. O. Bernet & Mr. H.H. Parke 
American Art Association « Inc 

MANAGERS 
1927 


‘ ( LO 7 y Session 
thereof, will be furnished t 


i | . 
charges commensurate with 
Bore: in copying the necessary infor: 


records of the Association, = 


Designs its Catalogues 
and Directs -All Details of Mlustra 
Text and Typography = 


SS 


a 


oer, 


A, Barber 
(Pass) 
W.A,Walsh 
Ceptian Paul 
R.J Glenn 
“6 Bergman 


é Lockhart Jr. 
dine es of London 


27, Charles of London 
28. A.L.Erlanger 
29. R.Jd.Glenn 
$0. Mrs.H.N.Liberman 
Sle WMe Levy 
S2e W, Levy 
35. Ym.Rosenbaum 
54. A.W .Newton 
35. Mrs. J eHolmes 
$7. Red Glenn 
| $8. Le Adrian 
59. Red ,Glenn 

40. &. Bergman 


THE ‘abet HARPHAN COLLECTION 


Sold at American Art Pirhsiation 
October 20, 1927 


100. 


| 41, Metropolitan Galleries 


170. 


7% lie Adrian 


42. Beks tee 
43, E.”.Clark 


44. vetropolitan Mal~ - 


ieries § 

45. Yrs. A. Hodges 

46. Clapp & Graham 

47, &. Bergman | 

48. Henry Lockhart Jr. 

49. H.E Russellp Agt. 

SO. Ae Goetz if 

51. Metropolitam Gal- 
leries FF 

Be a S. Bereman | 

Doe S&S. Bergman jf 

Dh. R.Hyman 

DOe Ase HOGges 

56. J08s.D.R. Freeda 

57. J. Brummer 

58. Mrs. H.M.Liberman 

59, Lans 

60. R.d.Glenn 

61, W.F,Carey 

62. *.F.Carey 

635.6 Le Adrian 

65. G.B.Vverner 

66. Clapp & Graham 

67. Metropolitan Gal- 
leries 

68, Metro. Galleries 

69. Jos.D.R.Fraééd 

69a. Metropolitan Gal- 
leries | 

70. Dr. E.Carlterg 

71. Rose Cummings 

72 hy pp lolags i 

73% Dr. B.C 

744  Hesoman 

75. Henry LockWlart Ir. 

76. A. DuVanneg 


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Sold at American Art Oct. 


No. 65. CoRNELIUS VAN DER GEEST: AFTER VANDYCK 
By Sir THomas Lawrence, P.R.A. 


ENGLISH LANDSCAPES & PORTRAITS 
EUROPEAN SCENES & STUDIES 


Examples by “Old”? Crome, Ladbrooke, 
Vincent, Stark, the Nasmyths, Pourbus, 
Kneller, Allan Ramsay, Beechey, Carle | 
Van Loo, Sir Thomas Lawrence and 


The Herrings, Sr. & Jr. 


SOLD BY ORDER OF 
_ THE OWNER 


UNDER MANAGEMENT OF THE 


American Art Association 


Pwr RPO eR TATE D 


New York 
1927 


——— 


8. 


Conditions of Sale 


LEAP ™,_> 


REJECTION oF Bips. Any bid which is not commensurate with the value 
of the article offered, or which is merely a nominal or fractional advance, 
may be rejected by the auctioneer if in his judgment such bid would be 
likely to affect the sale injuriously. 

Tue Buyer. The highest bidder shall be the buyer, and if any dispute 
arises between two or more bidders, the auctioneer shall either decide the 
same or put up for re-sale the lot so in dispute. 

IDENTIFICATION AND Deposir sy Buyer. The name of the buyer of 
each lot shall be given immediately on the sale thereof, and when so 
required, each buyer shall sign a card giving the lot number, amount for 
which sold, and his or her name and address. (A deposit at the actual 
time of the sale shall be made of all or such part of the purchase prices as 
may be required. (If the two foregoing conditions are not complied with, 
the lot or lots so purchased may at the option of the auctioneer be put up 


again and re-sold. 


RisK AFTER PurcHASE. ‘Title passes upon the fall of the auctioneer’s 
hammer, and thereafter the property is at the purchaser’s risk, and neither 
the consignor nor the Association is responsible for the loss of, or any 
damage to any article by theft, fire, breakage, however occasioned, or any 
other cause whatsoever. 

DELIveRY OF PurcCHASES. Delivery of any purchases will be made only 
upon payment of the total amount due for all purchases at the sale. 
REcEIPTED Bitts. Goods will only be delivered on presentation of a re- 
ceipted bill. A receipted bill presented by any person will be recognized 
and honored as an order by the buyer, directing the delivery to the bearer 
of the goods described thereon. If a receipted bill is lost before delivery 
of the property has been taken, the buyer should immediately notify the 
Association of such loss. 

STORAGE IN DEFAULT OF PRoMpr PAYMENT AND CALLING FoR Goons. 


_ Articles not paid for in full and not called for by the purchaser or agent 


by noon of the day following that of the sale may be turned over by the 
Association to some carter to be carried to and stored in some warehouse 
until the time of the delivery therefrom to the purchaser, and the cost of 
such cartage and storage and any other charges will be charged against the 
purchaser and the risk of loss or damage occasioned by such removal or 
storage will be upon the purchaser. (In any instance where the purchase 
bill has not been paid in full by noon of the day following that of the sale, 
the Association and the auctioneer reserve the right, any other stipulation 
in these conditions of sale notwithstanding, in respect to any or all lots 
included in the purchase bill, at its or his option, either to cancel the sale 
thereof or to re-sell the same at public or private sale without further 
notice for the account of the buyer and to hold the buyer responsible for 
any deficiency and all losses and expenses sustained in so doing. 

Suippinc. Shipping, boxing or wrapping of purchases is a business in 


10. 


Ws 


. Guaranty. The Association exercises great care to catalogue every lot 


which the Association is in no wise engaged, but the Association will, how- 
ever, afford to purchasers every facility for employing at current and 
reasonable rates carriers and packers; doing so, however, without any 
assumption of responsibility on its part for the acts and charges of the 
parties engaged for such service. ‘ 


correctly and endeavors therein and also at the actual time of the sale to 
point out any error, defect or imperfection, but guaranty is not made either 
by the owner or the Association of the correctness of the description, 
genuineness, authenticity or condition of any lot and no sale will be set 
aside on account of any incorrectness, error of cataloguing or imperfection © 
not noted or pointed out. Every lot is sold “as is’ and without recourse. 
QL Every lot is on public exhibition one or more days prior to its sale, and 
the Association will give consideration to the opinion of any trustworthy 
expert to the effect that any lot has been incorrectly catalogued and in its 
judgment may thereafter sell the lot as catalogued or make mention of 
the opinion of such expert, who thereby will become responsible for ue 
damage as might result were his opinion without foundation. 
Recorps. The records of the auctioneer and the Association are in all cases 
to be considered final and the highest bid shall in all cases be accepted by 
both buyer and seller as the value against which all claims for losses or 
damage shall lie. 4 
BuyING ON Orper. Buying or bidding by the Association for responsible 
parties on orders transmitted to it by mail, telegraph, or telephone, if con- 
ditions permit, will be faithfully attended to without charge of commission ~ 
Any purchases so made will be subject to the foregoing conditions of sale, 
except that, in the event of a purchase of a lot of one or more books by or 
for a aie who has not through himself or his agent been present at 
the exhibition or sale, the Association will permit such lot to be returned 
within ten days from the date of sale, and the purchase money will be™ 
refunded, if the lot differs from its catalogue description. Q[Orders for 
execution by the Association should be given with such clearness as to 
leave no room for misunderstanding. Not only should the lot number be 
given, but also the title, and bids should be stated to be so much for the 
lot, and when the lot consists of one or more volumes of books or objects” 
of art, the bid for volume or piece should also be stated. If the one trans- 
mitting the order is unknown to the Association, a deposit must be sen 
or reference submitted. Shipping directions should also be given. 


These conditions of sale cannot be altered except by the 
auctioneer or by an officer of the Association 


OTTO BERNET - HIRAM H. PARKE + Auctioneers © 


AMERICAN ART ASSOCIATION - ING ~ 
Managers 4 


FOREWORD 


| HE André Harpman collection is of special interest on account of 
| a the numerous works belonging to the British Schools of landscape 
painting of the eighteenth and nineteenth centuries. This was 
the era in which Gainsborough and above all Constable took up the tradi- 
tion of Ruysdael, transformed it with an insular originality, and inaugurated 
the modern school of realistic landscape. “These were among the first to 
accept literally the hues of nature and to translate to canvas or panel the 
effects of movement, of atmosphere and light, not in a grand or romantic 
way, but in a style characteristic of the English countryside. 

Their influence has been both profound and universal, insomuch as 
they have caused the most original and vital branch of painting, at the 
present time, to be that of landscape. 

During the first years of the nineteenth century, various local centres 
also came into being and contributed in their turn to the interest and 
_ originality of English art. “he most important of these is the Norwich 
- School, which produced some landscape painters worthy to rank with the 
_ best, i.e., Crome, Ladbrooke, Vincent and Stark. 
K: In Scotland, the Nasmyths, father and son, diligently pursued the 
“art with considerable brilliance; perhaps more detailed and minute in 
expression, but withal an intimate knowledge of and love for domestic 
country and the ever changing effects of the sky. 
The art of portraiture in oils is represented by the works of Pourbus 
[the younger], Kneller, Allan Ramsay, Beechey, Jean and Carle Van 
Loo, Ledoux, and John Russell the pastellist. “Chere is an excellent por- 
trait of a gentleman ascribed by the well known expert, W. Roberts, to 
Gilbert Stuart, a superb copy of Vandyck’s famous portrait of Cornelius 
_van der Geest by Sir Thomas Lawrence, and a small water-color sketch 
by John Singer Sargent. 
Among the smaller decorative paintings, there are three or four of 
the renaissance period; several Dutch, Flemish, French and Venetian scenes 
of the seventeenth and eighteenth centuries; some studies by the gifted 


animal painters, the Herrings, Senior and Junior, and two excellent small 


Dutch portraits by Cornelis Verelst. 
See dike 


| EVENING SESSION 
meanursday, October 20,1927 at 8:15 O'clock 
Catalogue Numbers I to 93 Inclusive 


feet hehe NG, JR. 


BritisH: ?-—1871 


(200,— Lrchhawh Jp 


1. SET OF TWELVE WATER-COZ—PR PAINTINGS 


Presenting scenes from the life of a race-horse. 
_ Height, 834 inches; length, 1234 inches 


From Christie, Manson & Woods 


feeweey AN GOYEN 
DutTcH: 1596—1656 


>. MARINE A - a 


| /0$ An expanse of calm grayish-blue water with sailing ships and small 


- boats with anglers; at left a small jetty of rafters. 


Panel: Height, 7 inches; length, 10 inches 


17 


Retisigielgh UVERMAN [ArrrizuTep To] 
DutcH: 1619—1668 


3. SLABLE WITH FIGURES 
The shaded interior of a stable with seven tethered horses and two 


/ 8 OQ —feures in the foreground. At right, an equestrian figure on a white 


* horse has just entered through the open arched doorway. 
Indefinite signature at lower right 
Panel: Height, 8% inches; length, 10Y inches 


Presented ‘by Jay - fe Gooke 


From the “Red Cross” sale at Christie. Manson & Woods, 1915. 
This picture was sold several times during the war for the 


Red Cross 


4. 


H..-.D © N.S Pel eae 


FLEMISsH: 


4. A VIEW NEAR DELFT, HOLLAND 


At the right of the composition a wooded pathway with a figure in 

A _—ted passing the thatched barn. At left a receding view of land- 

0. scape with the village in the distance. Above is a tinted blue sky 
across which fleecy clouds are drifting. 


Signed at lower left, H. DonsELAAR 


Panel: Height, 9 inches; length, 12 inches 


18 


DutcH: 1624—1683 


ceeLeo VOYAGEURS 
Upon the pathway in the foreground are picturesquely garbed maids, 
=—orie mounted upon a donkey. Background of receding mountainous 
landscape, and to the right, dominating the composition, a huge rock. 


Under a cloudy blue sky. 


Panel: Height, 92 inches; length, 12% inches 


Engraved by Aliamet; published by T. Major, Paris 


Collection of the Marquis d’Argenson, Paris 


ee ZL../ 


meroOoL-OF GUARD! 


Venetian: XVIII Century 


6. VENETIAN SCENE 


At the left the facade of the Doge’s palace, the column and mono- 
© Tith of St. Mark’s, the piazzetta animated with small figures. At 
"the right the deep blue waters of the Canal dotted with gondolas. 


Panel: Height, 10 inches; length, 12 inches 


#9 


LOUIS=G, 3k TSA Bi ae 
FRENCH: 1803—1886 


7. FISHING SCENE 


Illumed by the morning lght is the impression of a grayish sea, 
/ CO OQ —epon which are several “eae and in the foreground foheim man- 
ning their boat. At left are two draft horses. 


Signed at lower left with the initials: E. I. 
Panel: Height, 102 inches; length, 13 inches 
Certified by W. W. Sampson & Sons, Haymarket, London 


From Bernheim jeune et fils, Paris 


Collection of the late W. A. Coats, Esq., Hamilton, Scotland 


Gig 


OSH EASNGN CHRISTIAN KLENGEL 


GERMAN: 1751—1824 


8. WOODY STREAM WITH FIGURES 
4% A_wooded landscape, disclosing in the foreground a turbulent stream, | 
at the left peasants and cattle. 


Signed at lower left, KLENGEL, and dated 1773 


Height, 10% inches; length, 15Y inches. 


Collection of His Grace, the Duke of Rutland, Belvoir Castle, 
Scotland 
From the British Galleries, Haymarket, London 


[Companion to the following] 


20 


_ - ; 
| JOHANN. CHRISTIAN KLENGEL 
[= GERMAN: 1751—1824 | 

9. WOODY STREAM WITH FIGURES” 

“4 Similar to the preceding, with variation in composition. 

>’ Signed at lower left, KLENGEL, and dated ite ne. 

ee Height, 10 inches; length, 15% inches 
_ Collection of His Grace, the Duke of Rutland, Belvoir Castle, 
“ie Scotland : -i2 

aa From the British Galleries, Haymarket, London 


[Companion to the preceding] 


— 


eo CORNELIS VAN ere. 


DutcH: 1586—1667 


10. LANDSCAPE WITH CLASSIC FIGURES 

| A limpid blue lake within castellated mountainous country, under 
ae a deep blue sky massed with clouds. In the foreground, in the sunlit 
__ clearing between lofty trees, is a mythological scene; dancing satyrs, 
C nymphs and a centaur. 

Er Height, 12% inches; length, 17 inches 


a 


[Companion to the following | 


21 


‘CORNELIS VAN “POEL N Das 
DutcH: 1586—1667 


11. LANDSCAPE WITH CLASSIC FIGURES 
Similar to the preceding, with variation in subject matter, 
Ao aa 


Height, 12% inches; length, 17 inches 


[Companion to the preceding | 


7 Ye 

GEE Li 

SCHOOL OF REMBRAW DES 
DutcH: XVII CENTURY 


ee preeR AY Ae 


A composition of many figures portrayed in the elaborate Rembrandt- _ 


vi M QO sue pattern of light and shade; exhibiting at the left Our Lord 
in long white garments, receiving the kiss of betrayal from Judas. 
At the right, immersed in transparent darkness, are the figures of the 
high priests with Roman soldiers. 


Panel: Height, 13% inches; length, 182 inches — 


by, I, Pama 


PETER BRUEGHEL AND ROTTENHAMMER 


FLEMIsH SCHOOL: XVI CENTURY 


124. FETE MUSICALE OF VENUS AND FLORA 
A classic composition exhibiting at the left the semi-draped figures 
of Venus and Flora, and a figure playing a viol. At right cupidons 
Te —are dancing upon a flower-strewn grassy glade, and others are hover- 


: ing above. 


Copper: Height, 14 inches; length, 18% inches © 


22 


t 


; ee ee ee Se ee eC alana re 
Ce Le BLN IE ES 1 A a a in belie Pict ete 


Shs as 


py, a. LAD 


JOSEPH ped Ae hl Vee GON eT 
FRENCH: 1712/1714—1789 


1%. LOVERS FISHING IN THE BAY OF NAPLES 


z The pleasant greenish gray waters of the bay with a full-rigged ship 
i/ in the distance, and at right chalky cliffs. In the foreground by a 
VGA 


rock are two figures; the man, in red coat, fishing, the girl holding a 
net. Ivory tinted sky. 


This work has been engraved 


Panel: Height, 15% inches; length, 18% inches 


Vlad &. OP iuk 


Rob VAN RUYSDAEL 
DutcH: 1628—1682 


ees) THE WATERFALL 

£ At the distance a winding river flows into the foreground and falls 
r r> </ © —tr torrents over massive boulders. At left and right of the composi- 
* tion are wooded uplands, and beyond, the spire of a church silhouetted 


before a cloudy blue sky. 
Height, 19 inches; width, 15 inches 


mene ONSTABLE, R.A. [2 | 
BRITISH: 1776—1857 


16. VIEW NEAR CHRISTCHURCH, DORSETSHIRE 

| Receding view of wooded country and meadowlands. Nestling in 

| | 4 the wooded area is a villette and the massive tower of a church. 
O 


“Under a cloudy blue sky. 
Panel: Height, 10 inches; length, 14 inches 


ce 


44: JAMES STARK 


17. ON THE THAMES NEAR MARLOW 


3 Under a dark gray stormy sky, a vista of the placid waters of the | 


ames, exhibiting at the right a barge with figures, one in a 
. brilliant red cap. 
Height, 144% inches; width, 12 inches 


N WICH SCH Orgs 


Earty XIX CEntTuRY 


16.) LOCA ALR? 


Receding view of the loch nestling in the valley among blue moun- © | 


IS mins. In the foreground a rocky wooded area, and a stone bridge 


over which peasants and animals are passing. Under a cerulean-blue 
sky, banked with ivory clouds. 


Panel: Height, 12 inches; length, 16 inches 


BRITISH: 1758—1839 


19. MARINE 


Under a blue sky massed with cumulous clouds and with the reflec- 
A - tion of a rainbow are turbulent bluish-green waters with various 


ey wer sallino craic, 


Signed at lower left, T. Luny, and dated 1823 


Height, 12 inches; length, 16 inches — 


24 


ee ee ee 


. pia =, coins Nt cate ur 


PERLOMAS DUN Y 
- BritisH: 1758—1839 


THE LICHTHOUSE ; 

A turbulent sea, the white-crested waves of the incoming breakers 
; dashing against the lighthouse and jetty at left, and the chalky cliffs 
“aes seen through a mist. At the right are two sailing ships and 
a small lifeboat. Above is a stormy blue sky. 

Signed at eas left, T. Luny, and dated 1823 

Height, 12 inches; length, 16 inches 


FSA cm 9 


Vat : 
\ iain ee ie ng 


Vek UST 


Ci RNELI 


‘Dutcn: 1667—17 34 ¥ 


21. ‘PORTRAIT OF MISS ELIZABETH SCOTT 


4 Half- length figure looking to the observer, her hair dressed back 
_ from_her _ forehead and falling in aa to her shoulders. She 


; _ mantle, Neat background, 
Height, 15 inches; width, 11% inches 


é 


ot Wels Rowe. S 1 


DutcH: 1667—1734 


: oa PORTRAIT OF MISS MADELINE SCOTT 
‘Half- length figure with grayish hair, a strand of which falls over 
her Baht shoulder, wearing a picturesque grayish-blue décolleté 
bodice with ruffled white collarette, partly draped by a crimson 
mantle. Dark background. 
Height, 15 inches; width, 11 inches 


25 


23. VIEW NEAR EPPING FOREST 


/e 


24. THE OLD MILL 


fo. 


aoe 


LF0.Se 


Pee Rp. hanced NAS MY< Tee 


SCOTTISH: 1787—1831 


. 


A thickly wooded landscape, dealt a distant view of a village | 
_cupped i in the valley. At the right upon a rocky eminence are lofty 
~oak and elm trees silhouetted before a cloudy sky, and at the left ; 
foreground, three figures. Early work. q 


Panel: Height, 13% inches ; length, 16 inches ’ 


BRITISH: 1787—183 1 


A summer view of wooded landscape, the old mill at the right, 
its red tiled roof reflected in the water. At left two figures ared 
fording the stream, one mounted on a white horse. 


Panel: Height, 14 inches; length, 16% inches 
Collection of S. Gilbert Scott, Bourne End, England | 


ie FRE Ze? Fz 


ICK HERRING, Sr., §.B.A 
RITISH: 1795—1865 


THE IRISH HUNTER | | 
The finely portrayed bay gelding, with slightly Roman nose, stand-§ 


ae in a stall, with a Dalmatian hound at his feet. 


Signed at lower left, J. F. HERRING, Sr., and dated 1846 
Panel: Height, 14 inches; length, 18 inches | 


[See illustration ] 


26 


rER 


HE IrIsH Hun’ 


ie 


, 


25 


O 


N 


hoes 


if 70 a 


26. FARMYARD WITH HORSES 


Onn 


¢ (Landaa 


BritisH: XIX CENTURY 


i ella in weit cnn, sR tm 


In the foreground a farmyard fenced off with palings, exhibiting _ 
at_the right, under a thatched barn, three horses. At left are pigs, — 


Ps 


and hetnd in the middle distance, a vista of a wooded pathway — 
with cottages. 


Signed at lower left, J. F. HERRING, and dated 1867 
Height, 16 inches; width, 16 inches 


Collection of the Earl of Sandwich 
Sold at Christie, Manson & Woods, 1926 


[Companion to the following | 


tba. Y toma 


i; RR NIG 


BritisH: XIX CENTURY 


FARMYARD WITH HORSES 


Similar to the preceding, with variation in composition. 
Signed at lower right, J. F. HERRING, and dated 1867 
Height, 16 inches; width, 16 inches 


Collection of 'the Earl of Sandwich 
Sold at Christie, Manson & Woods, 1926 


[Companion to the preceding] 


28 


A. x 


a Pore ee EVN CEN 
BririsH: 1796—1836 


28. ST. PAUL’S FROM THE RIVER 


In the foreground various sailing craft and rafts cast their reflections 
IS —r the placid waters of the Thames. At left, viewed through a 
| * misty haze, the dome of St. Paul’s, outlined before the setting sun 


Height, 15 inches; length, 20 inches 


pee NY 
BRITISH: 1758—1839 


: Ppp pet Cop o/ 


- OFF THE NORTHUMBERLAND COAST 


An expanse of gray waters upon which are various sailing craft 
—. silhouetted against the glow of a setting sun. At right, on 
: _the-beach animated with figures, are peak-roofed cottages, and in 
the foreground a small Bernantled sailing boat. 


Signed at lower left, Pony. and dated 1824 


Height, 15 inches; length, 20 inches 


‘2 PATRICK’ NA : 


"Y ‘ge 


SCOTTISH: 1787—1831 


30. LANDSCAPE WITH FIGURES 


aa peasant figures and several sheep in a clearing in the fore- 
ground, flanked by a thatched cottage and farm buildings, with 


. trees in autumn foliage, and a vista of receding meadowlands. At 


right the bluish-green waters of a pond on which are two ducks. 
Under an ivory tinted sky. 


Signed at lower right, PArrIcK NAsMyTH 


Panel: Height, 16 inches; length, 20 inches 


29: 


Bae 


LALO “re: 


“PORTRAIT OF 4 LADY 


figure of a “disnguished ae ne: 
Vocus a voluminous gray gown 


W ater-color: Jat eiehiy 


The above has been Sc’ by the | 
and a apicen woe his aut 


No. 31. Portrair oF A Lapy 


V dare a 
R JOHN EVERE 


Brivis: 1829—1 896 


MILLAIS, P.R.A, 


32. EFFIE DEANS 


Three- -quarter- length seated figure of a maiden, her head wis full 

[Eo _inelined to the right, wearing a long-sleeved white blouse, with a 
o bunch of berries at her conse and a scarlet skirt. Leafy back 
ground. | ; 


Signed at lower right with the monogram, JM, bird datedi 1876 
Height, 20 sia, Cie, 16 72 wcll 


SIR. WILLIAM BEECHER 


BRITISH: 1753—1839 


33. PORTRAIT OF MAJOR GENERAL HOPGOOD : 
/ bo 2 _Three-quarter-length erect figure of the young soldier, with longish 
0. 4 


hair and sideburns, facing the observer. He wears a crimson mili 
tary tunic with epaulets and holds his plumed hat under his right arm. 
Neutral background. q 


Panel: Height, 21 inches; width, 16 incham 
Collection of the Hon. Henry Graves prs i: a 


GQ. Y- 


HENRI FAN TINGE A ee 
FRENCH: 1836—1905 


34. THE SHEPHERDESS 


‘Three-quarter-length seated figure wearing a tight blue bodice and 
/30 ——arfull red and white skirt, and fondling a lamb. Cloudy blue sky 


background. 
Signed at lower right, Fanrin-LaTourR 
Pastel: Height, 22 inches; width, 18 inches” 


Certified by Mr. H. W. Sabin, of London 


[See illustration | 


32 


No. 34. THE SHEPHERDESS 


“WN 


RO Bai Ret es el ADB: RO) O)rkeae 
BRITISH: 1770—1842 


35. VIEW NEAR KINGSTON ON THE THAMES 


The foreground is occupied by a stream of evanescent water, spanned 
/ _by-t rustic bridge, upon which two children are angling. On the 
* left bank, illumed by sunlight, is a cottage, before which is a peasant 
figure, between massive trees silhouetted before a deep blue sky. At 
right is an expanse of undulating country. 


Panel: Height, 161% inches; length, 23 inches 


SCHOOL OF PETER BV 
:) FLEMIsH: XVI—XVII CENTURY 


AAD 
20.0 RIELAG ES PES Ly a 
— A richly wooded scene exhibiting in the foreground an avenue ani- 
mated with vivid figures at various pursuits. Above is a deep blue 


cloudy sky. 
Height, 16% inches; length, 23% inches 


A 3 MORLAND 


BRITISH: 1763—1804 


27 eALLOR SHARE Ele 
In a softened morning light, on the shores of a deep blue sea, a 


Sajlor-bids a tender farewell to his weeping sweetheart, thefr figures 
A OF aise silhouetted before a vast slate-gray sky. At right a glimpse of a 


small fishing boat with two figures. A charming study. 
Height, 23 inches; width, 17% inches 
Certified by W. W. Sampson & Sons, Haymarket, London 


34 


> 


Soe 
« i 
- i] 
a 
7 


ae ero NASMYTH 


ScorrisH: 1 758—1840 


Centring the composition is a thatched cottage beneath the shade of 

leafy elm trees, animated with figures and a dog. At right a vista 

of the blue waters of the lake and a receding view of mountains. 
Under a cloudy blue. oe 

‘g Height, 18 inches; length, 24 inches 


Raves NASMYTH 


ScorvisH: 1787—1831 


LANDSCAPE WITH RUINS 


oe. SF ecinnal wooded landscape exhibiting at the left an ivy-clad ruin, 
3 nd children playing beneath silvery beech trees; in the middle 
distance a prospect us receding pasture lands. Above is an ivory 
ie violet-blue sky. 


_ Signed in the Beeston: P. NasMYTH 
Height, 20 inches; length, 24 inches 


ares 


ae PiebeNek 74 HA RIO W 
BriTisH: 1787—1819 


-—! 


: aA 


40. CUPID AND PSYCHE 

Bethe graceful figure of Psyche in clinging white robes, holding 
f oe “aloft the bow of Cupid, who is at her side, within a wooded land- 
_* scape, the leafage of orchreous-brown tones. 

ej Height, 25 inches; width, 20 inches 


a ey a nyremng | ome MN Py Nye ee Ene 


Collection of the late Sir Harry Waechter, Bart., C.M.G. 


35 


4I. 


| e,-oex 


42. 


OVA 


43. 


So 


GEORGEVHENRY HARLOW 
BRITISH: 1787—1819 


VENUS AND CUPID | 
Before a draped and wooded background is the classically draped 
e of Venus, with Cupid behind her placing his hands over her 
eyes. 


Height, 29% inches; width, 2434 inches 
Collection of the late Sir Harry Waechter, Bart., C.M.G. 


PR Lee 


JOHN Er HERRING, 8r., S.B.A. 
BRITISH: 1795—1865 


TH ESRAGE Titer 4 

ZI Dgtes view of the course, with “Fiyinc DuTcHMAN” beating 
_‘MoLTIGEuR”, at York, May 13th, 1831. In the middle distance 

by the rails are massed spectators. At left the Judge’s stand, and 

at right, the owner’s stand. 


Signed at lower right, J. F. HErrinc, Sr. 


Height, 17 inches; length, 27% inches 


a 


ae FREDERICK HERRIN 


Ri, alder 
BRITISH: 1795—1865 


MARES AND FOALS 


A sunlit wooded grassland, in which are standing two well modeled 
thoroughbred mares, one gray, the other chestnut, with their foals. 
At right are a rooster and chickens. Background of cloudy blue sky. 


Signed in the foreground, J. F. HERRING, and dated 1857 


Height, 18% inches; length, 28 inches 


36 


hy Dif te : iy pee 
Petey # fe MIS H SS CHO'OT, 


44. BOORS MERRYMAKING 
| . A Netherlandish village, disclosing at right a vista of undulating 
OO —eeuntry, and at left, by the thatched dwellings, groups of Boors 


_ * dancing to the pipes. At lower right, pigs by a trough. Under a 
grayish blue sky. 


Height, 19% inches; length, 25 inches 


mee) )™~CU EMILE JEAN HORACE V&RNET 
is ie: ea ; FRENCH: 1789—1863 
| 45. HARBOR SCENE 
_— _ Under a violet tinted cloudy sky is a misty view of various sailing 
craft and at the left a lighthouse. In the foreground the quay 


- 


Ly @. —animated with figures, some angling. 


i 
{ 


Height, 20% inches; length, 30V inches 


Peeniay (PALE MISH SCHOOL 


46. MADONNA AND CHILD AND THE FLIGHT INTO 
EGYPT 

| f Soe a meticulously executed castellated landscape is seated the 
, ed three-quarter-length figure of the Virgin Mother, wearing a deep 
£3 * blue fur-trimmed tunic and holding to her breast the semi-draped 
Lom Infant Christ. Her reddish-brown hair is bound to her head by 
| = a fillet inscribed: Marra. Marer. Graciz. Marer. At right 
» is a portrayal of the flight into Egypt. 


Panel: Height, 19% inches; width, 16 inches 


-f 37 


ff i GIOVANNI BELLINI [Forrower oF] 


Iratian: XV—-XVI CENTURY 


47. ENTHRONED MADONNA AND CHILD 
Seated on a parapet before a green panel is the three-quarter-length — 

figure of the Virgin Mother, her head inclined to the right and 

£00 ea with a white veiling, wearing a crimson tunic and shaded | 
~~ blue mantle. She holds upon her lap the Divine Infant, Who clasps 

a bird in His left hand. Both figures are haloed. At left and right 

are prospects of wooded landscape; under a blue sky patterned 

with clouds. 

Panel: Height, 20 inches; width, 16 inches — 


‘The above has been examined by Dr. ‘Tancred Borenius, and a photo- — 
graph with his autographed authentication on the back will be 
given to the purchaser. Mr. Borenius is of the opinion that 
this work is by a follower of Giovanni Bellini, and is particu- 
larly characteristic of Vincenzio Catena. Compare this picture 
of the Virgin and Child with two saints inthe Budapest Gallery. 


[See illustration | 


Se a ee ee ee ee ey ee 


38 


ENTHRONED MADONNA AND CHILD 


47- 


On 


N 


ts Ge ee 
‘ i 


GIOVANNA- BELLING [FoLLOWER oF | 


VENETIAN: First TAD OR XV CENTURY 


48. MADONNA AND CHILD WITH ST. JOHN | i 
Three-quarter-length seated figure of the Madonna, wearing a 

3 —white hood, and a voluminous green- -lined, shaded crimson mantle. 

0. Seated upon her lap is the nude form of the Divine Infant, leaneld 

ing toward and caressing the infant St. John, who stands at loweral j 

left. Landscape background, primitively patterned with trees, dis- 4 

closing beyond, a range of blue mountains under a cloudy sky. | 


Panel: Height, 27 inches ; width, 20 yy inches a 


‘This work of superb coloring is certified by Dr. fee Borenius — 4 
as of the school of Giovanni Bellini, painted circa 1520, and 
a photograph with his autographed authentication on the backs) 
will be given to the purchaser. 


[See illustration ] 


40 


i: LE RATT 


_ el 
aly 


' ‘ 


q ‘ + - 
ET Seabee ary | 


MapONNA AND CHILD WITH ST. JOHN 


No. 48 


SIR JOHN EVERETT MILLAIS, P.R.A. | 
British: 1829—1896 — a 


49. LHE CHERRY GIRL 
Half-length figure of a fair-haired girl standing to fhe eee 


Lf ye & —head gracefully inclined, her large blue eyes looking towards 


observer. She wears an ivory eevee dress with blue skirt, 
on her right wrist hangs her hat laden wae cherries. Shaded anc 
leaved background. es 


Signed at lower left with the monogram, IM. g ge 


Height, 28 inches; width, 23 tnches 


[See illustration | 


42 


No. 49. THE CHERRY GIRL 


A. 


] Ei ANN Eb era ERE. LE Di@itex 
_ Frencu: 1767—1840 _ 


50. PORT RATIO Fea) gel CHARACTER | 


an half-length figure of a young lady, partly draped Bye 

oe 3 4, ctiaphanous veiling, her mobile face with large expressive blue eyes 
* turned slightly to the left. Her fair hair is dressed in ringlets and 

tied with a mauve ribbon. Greenish-blue background. a 


Oval: Height, 29 inches; : width, 23% inches 
The above has been examined by the English expert, Mr. W. Robert 


and a photograph with his autographed authentication on the 
back will be given to the purchaser. | 


[See illustration ] 


CAR LE VANE Ow 
FRENCH: 1705—1765 


51. PORTRAIT OF MLLE. MARIERAGEe 
—3v0 eee figure with powdered hair dressed in tight curls, wear- 


ing a décolleté vieux rose dress, and holding a letter. Greenish blue 
background. : 
Height, 28% inches; width, 23 inches 


‘The above has been examined by the English expert, Mr. W. Roberts, | 


and a photograph with his autographed authentication on the 
back will be given to the purchaser. ) 


44 


No. 50. Portrair ofr A Lapy IN CHARACTER 


A BEAR al ol eve Ne LOO 
FRENCH: meee 


Se PORTRAIT Of THE PRINCESS SOBIESKA | 
Half-length seated figure with powdered and bejeweled hair, wearing 

Si ees golden-yellow bodice and draped blue mantle. _ Archi-- 

/ _tectural background. 4 
ee Height, 30 inches ‘width, os inches 


The above has been examined by ihe Englisi expert, Mr. Ww. Roberal 


AN ea photograph with his autographed authentication on the 
back vee be given to the pUrchar 


fe Po 


EDGAR@UNDY, Ase 


[See illustration | 


BritIsH: Contemporary . 


53. THE TOAST 


Within a Jacobean interior are three picturesquely garbed buccaneers, 
vA 20 _Wearing plumed hats, grouped around a small table. “The one in 


crimson is standing, proposing a toast. 
Signed at lower right, EpGar Bunpy 


Height, 22 inches; length, 28 inches 


fa 


ANTHONIE PALAMEDES [In THE Manner oF] 


54. CLASSIC COMPOSITION: A HOMERIC LEGEND |: 
Yo —“”t left, upon a classic loggia, six female figures cower before the 


‘ advance of an Amazon; at the right are two male figures. 
j g g 


Panel: Height, 21% inches; length, 28Y% inches 


46 


WM 


CE 


PoRTRAIT OF THE PRIN 


INGOs 252. 


PED W.AR D seep iglle 


BririsH: 1782—1855 


CROSSING THE FERRY FROM BARTON CASTLE 


A he castle occupies a rocky eminence to the left of the picture, 

me ie rlooking on the right the placid waterway, animated with various 

sailing craft. In the foreground is the ferry, laden with cattle and 

4 heir herdsman. Above is a fine blue sky, across which fleecy clouds 
are drifting. 


Se ae 7 Ri 
Signed at lower left, E. Witttams 


E Be Panel: Height, 21% inches; length, 29% inches 


ae. : 


Peon 1722-1780 


. ondclas manned by picturesquely dressed figures. At left and right, 

@ meticuluously painted, are the facades of various buildings. Above 
iis a fine blue sky. 

. Height, 20 inches; length, 31 inches 


ee ilection cf S. Gilbert Scott, Bourne End, England 


49 


fae SC © Ogata 


XVIII Cenrory — <e 


57 ae, DOGE’S PALACE, VENICES | x a 
At the right of the compesition are the oa of the Doge’s palace 
u /o —and the Piazza of St. Mark’s. At left the Grand Canal, upon wl 
‘are various gondolas and small boats. ‘Above 1s! a blue sky massed 
with billowy clouds. 
Height, 24 inches; ee ¢ #3 inch 


NUON 
P if 


ALLAN (RAMI Sean 


SCOTTISH: 17.13—1784 


: 
t 


58. PORTRAIT OF FRANCIS VESEY a 


pees -length bewigged figure facing the observer, wearing a white 4 
To. o — jabot and black coat. Vague background. | Restored. | 


Height, 30 inches; width, 25 inches — 
The above has been examined by the English expert, Mr. W. Roberts, - 


and a photograph with his autographed authentication on the — 
back will be given to the purchaser. : 


[See illustration | 


[Companion to the following] 


50 


Wa 


ee 


ama 


VESEY 


IS 


ANC 


FR 


No. 58. PoRTRAIT OF 


oe 


ALLAN RAMSAY, R. ee 


Cate 1713—I oe 


> 


59. PORTRAIT OF MRS. FRANCIS VESEY [ELIZABETH a 


7 


KENRICK | ms : 
) O Half- pee dignified figure looking to the meee wearing a a grace- 
—Tul brown costume and blue mantle of the mite centurys 


Neutral background. [Restored.]_ Ss 
H Soe 30 Pa. i width, 25 inches 

. 
‘The above has been examined by the English expert, Mr. w. Rober 
-and a photograph with his autographed authentication on the q 
back will be given to the purchaser. 


[See illustration | 


[Companion to the preceding] “<a 


JeARKS OES Rp. Ll RUYSDAEL [FoLiower oF] 


60. LANDSCAPE WITH FIGURES | 1 
_Centring the composition, in a wooded landscape, are cattle and their 

oe herdsman f ording a stream; at left two peasant figures are conversing. ] 
Cloudy sky background. . 

Panel: Height, 30 inches; width, 25 inches 


52 


No. 59. Porrrarr or Mrs. Francis Vesey [ELIZABETH KENRICK | 


ee 


BRITISH S@HOOT 7 
XVIII Cenrury 


61. PORTRAIT OF LADY CUMBERLAND ~— , 4 
Half-length figure seated to the right, her head turned toward the 

ai O _spettator, wearing a white linen headdress, high collarette and a rose=— 
* crimson jacket, disclosing a blue gown. Indefinite landscape back- 

ground. ar BX: : ¥ 

Height, 30 inches; width, 25 inches 


Bey 


‘a 


FREDERICK YEAQWES HOURS fee 


BritisH: 1800—1869 


62, PORT RAI OP iA 


Half-length figure seated to the left, her head turned to the specta- — 

, __-tor, wearing a poke bonnet, and a black bodice trimmed with white 

/ iy lace and draped with a crimson scarf. Background of blurred — 
foliage, disclosing at left a prospect of blue sky. 


Height, 30 inches; width, 25 inches q 
The above has been examined by the English expert, Mr. W. Roberts, 
and a photograph with his autographed authentication on the — 


back will be given to the purchaser. 


[See illustration | 


54 


OF A Lapy 


. 


ORTRATT 


ING 0 2a P 


oh Alea 


Gy tea STUART 


Doreen 1755—1828 

63. PORTRAIT OF A GENTLEMAN IN A BLACK COAT — 
Half-length figure facing the spectator, of an elderly ae 

475 = probably a naval officer during the Revolutionary War, with gray I 


brushed back from his forehead, prominent eyebrows and well defined -d 
features. He wears a white neckerchief and black jacket with rolled 
collar. Dark background. ‘This fine head modeled in a quiet ever 
light with luminous tones for the flesh tints, recalls much the teche 
nique of Raeburn. : 


EE 30 inches; oadth, 25, inches 


The above has been examined by the Bales expert, Mr. w. Robert 
and a photograph with his autographed authentication on the 
back will be given to the pune “ 


aa al 
Se 


_ [See illustration | 


JOHN {OLD} CROmwm q 


BRITISH: 1793—1842 


THE LANE NEAR GUILDFORD SURREY 

—A herdsman with his sheepdog is driving his sheep into the foresrourtl 

sae a richly wooded byway, the leafage in the tinted autum ial 
shades of brown. At the left of the composition is a red-coated rustic 

figure seated amidst the bracken. 4 


| 2. 


Height, 30% inches; width, 23% inches a 


56 


No. 63. Porrratr oF A GENTLEMAN IN A BLack CoaT 


deck 


SIR THOMAS LAWRENCE, P.R.A. 
BRITIsH: i365-=1820" aed 


65. CORNELIUS VAN DER GEEST: Arter VANDYCK : 

Bust- length figure facing the observer, of an elderly gentleman with 

ee high intellectual forehead, grayish hair and Vandyck beard, above 

} 3 a white ruff. A fine objective rendering, in which the artist has 
da retained the dark background to throw the carnations of the life 


- 


like partrician head well into rounded and eS relief, asm 
| the original work. 
Height 30 inches ; 3 width, 25 inches 


Collection of the= late J... J. Anoweees the ee he owner of a 
original Vandyck portrait, now in the National Gallery, London, 

~ and for whom Sir Thomas Lawrence made this admirable co y 
during the latter part of the eighteenth century. 


This picture has been examined by the English expert, Mr. Ww. 
Roberts, and a photograph with his autographed authentication 
on the back will be given to the purchaser. 


[See Frontispiece | : 


RICHARD a Resa. 


BRITISH: 1714—1782 


66. LUDLOW CASTLE 


An expanse of lowlands seen veiled in misty atmosphere, with silvery 

ie __-beech-trees and saplings at left and right. Upon the bluff at the right 
is a turreted castle, and in the foreground a patch of evanescent 

water spanned by an arched stone bridge, over which an equestria 
figure is galloping. 


& 


Signed at lower right, Rp. WiLson 


Height, 25 inches; length, 30 inches 
[See illustration | | 


- 


58 


EUDLOW. CASTLE 


66 


O 


N 


GEORGE VINCENT 
| Brrrisi: 17961836 ; 


67. VIEW NEAR MONMOUTH, SOUTH WALES 


Undulating and autumnal wooded landscape, ‘through ante oy 

3D —a tranquil stream. In the middle distance, silhouetted agail 
: ivory tinted sky, the steeple of a church and at right ami 
verdure, cottages. On the near bank of the stream are two 1 


Oe 24 inches; i length 33% inch 


PIERRE MiG 


FRENCH: 1610—1679 


68. PORTRAIT OF MADAME DE TA » 

An elegant half-length portrait of the celebrated lady, wearing ; 

SS lace-trimmed brocaded costume, her right hand raised to the broker 
3 O —ollet of pearls, an incident alluded to in her memoirs by Madam ne 
de Sévigné. Her left hand rests upon a casket of jewels, containin} 

presumably, among other articles, the ruby bracelet presented to her 

by Louis XIV. 

Height, 32 inches; width, 25% incl 


[See illustration | 


60 


No. 68. PortrRatr OF MADAME DE LA VALLIERE 


Feb Sore 


ONIO CANAL, Cattep CANALETTO 
REUSE: SESE secret 


69. CANNAREGIO AND CHURCH OF S. CEREMIA 


Panoramic view of the limpid blue waters of the lagoon, ref 
pe — various buildings and the tall campanile of S. Geremia, and s 
*  gondolas. The quay, animated with figures and moored boa 

cupies the lower left of the composition. Above is a fine blue si 


massed with billowy clouds. arts . :, Mig eee, soo a 
Se | vee pee inches; length, 35 


| [See illustration] Z a 


GASPARD DUGHET, CaLtLtep GASPARD POUSSIN 
ITALIAN: 1613—1675 


ae 
OgA. LANDSCAPE WITH FIGURES 9 
A richly wooded landscape, exhibiting at the left tall slender trees 
ie utumn foliage, and at the right a towering cliff overgrown 
0 shrubs and lichen, on the summit of which is a classic ruin. In tht 
middle distance beyond, is a rocky eminence enveloped in a blu 
haze; vaguely seen in the foreground are two figures. P 


Height, 19 Ve inches; length, 26 inches 


Collection of His Grace, the Duke of Rutland, K.G., Belvoir Castle 
Scotland a 


Collection of 8. Gilbert Scott, Bourne End, England 


52 


VINAYAD “§ AO HOUNHD ANV OIOTUVNNYD *69 ‘ON 


en) 


Ry 
poner ty 


hee 


NO POURBUS, TH “YOUNGER 


‘FLEMIsH: ye 622 


sy 


AO: MAURICE, PRINCE OF ORANGE AND ) COUNT 


‘a NASSAU : . 
3 shaded and draped interior with tiled. scones ‘on which chee | : 
ate commanding figure of the Prince stands facing the 


one hand upon his hip, the other resting upon the pommel 
sword, He wears a white ruff, striped tunic and knee breeche 
a richly braided surcoat, and is decorated with the insignia 
Order of the Garter. His plumed hat is upon a table at righ 


Height, 43 inches; width, 33 
‘The-above has been examined by the English expert, Mr. W.R 
and a photograph with his autographed authentication a: 


history of the Prince on the back, will be given to the pur 


[See illustration] 


PRN BAER NII IT CY ITEC OOO ENT II AE = EE A iA ap oe De poet Ss tt 


64 


No. 70. Maurice, PRINCE OF ORANGE AND CouNT OF Nassau 


rene te 


JOHN RUSSELL, R. Anse 
| Britis: Bip 


thik POR a OF ee eee MILWARD 


SO.“ 


ait indeeape: moving to the one Bae ioe 
He wears a fawn suit, white stockings and black buch led s 
carries a black hat. At right is a prospect of blue sea. 


Hare 49 fees ae 36 


The above has been examined by the English exper’ Mr. W.R 
and 2. photograph with his autographed authentication on tl 
back will be given to the purchaser, : a 


[See itlustvatton) 


BririsH: XIX CENTURY 


72. MARINE 4 

The gui .25., lirankinas “passing Cronborg Castle, Elsinore, June 

y on; path; 1871. 3 

! : Signed at lower left, W. R. May, and dated 1871 a 
Height, 28% inches; length, 36 inches 


66 


No. 71. Porrrarr or Masrer MILwarb 


\ 


ne 
. 


- S54: WILLIAM BEEC {EY REA. 
| Brrrisi: 17531839 ie 


73. PORTRAIT OF MADAME DE STAEL 


Before a draped crimson background revealing at lower left a v 
of blue sky, is the well modeled half-length figure, seated | 
Her hair is dressed with a 


a See armchair, looking to the spectator. 
—French hood which meets her décolleté blue. velvet dress a 
corsage. Around her shoulders is a ee fur “wrap, 8 in or 
left hand she holds a book. Ao oe a 
Heighe, 26 inches ; width, 28 7 inch 


nee emmmnecmmmnmmema 


The above has been examined by the English expert, Mr. W. Robedl 
and a photograph with his autographed authentication on the 
_ back will be given to the purchaser. Ss 


SORE LEA IE SS ES ONT EE MEL SEI 


[See illustration] 


tae 


JAMES STARK 
BRITISH: 1794—1859 


74. GROSSING THE FERRY 


In the foreground an expanse of placid river reflects the lofty trees” 


BT) SNe willows on either side. A ferry is crossing, laden | 


with figures and two horses, one mounted by a red-capped yokel, — 
Slightly to the right is a loch, through which a barge is passing. The 
scene is illumed by the warm light of a setting sun. 


Height, 27% inches; length, 40 inches — 


68 


No. 73. Portratr oF MapDAME DE STAEL 


. er >). an 
+ Te a 
de ing ee 
7 
3 
A p 
4 
- 
“ n 
4) 
* 


wit VAM DE VELDE, ofS YOUNGER | 
os Durcu: 16331707 


75. MARINE 


Below a ane sky with threatening storm stones rising at the 

pif O is an expense of greenish gray water, upon which are anchore 
O —aus fishing craft. Centring the composition is the brig ST 
making for the open sea. At right a prospect of a penne 


Signed at lower left, W. VAN DE VELDE ae a 
Panel: Height, 29 i ; eng 39 i ince 


~~ 


Collection of S. Gilbert Scott, Bourne End, ci ; 


(. Bia. Varner 
SIR GODFREY KN} iia 
_BririsH: 1646—1723 


76. PORTRAIT OF THE DUKE GF VYORIQ ee 


__Affectedly posed three-quarter-length figure of the young Duke 
of Be ee -ira long fair wig, leaning against a parapet, wearing a golden- -brown 
doublet, the green and white linen sleeves with lace ruffles at th 
wrists, and a sword girded at his waist. Draped and wooded pact 


ground. 


Height, 50 inches; width, 40 iches 


The above has been examined by the English expert, Mr. W. Roberts, 
and a photograph with his autographed authentication on the 
back will be given to the purchaser. | 


[See illustration | 


70 


No. 76. Portrair oF THE DuKE oF York [James II] 


VY Ade 


ROBERT YAY DBO Ones 


_ BririsH: 1770—1842 


77. CROSSING THE BROOK 


A wooded scene exhibiting in the foreground a brook, towards which 
_—cattle are advancing. At the right two peasant figures crossing a_ 
- rustic bridge. In the clearing in the middle distance are a flock of 
sheep and a peak-roofed dwelling. Portrayed under a fine blue 
sky. ay | 
Height, 27% inches; length, 41 inches 


ALLAN RAMSAY kee 


SCOTTISH: 1713—1784 gy 


78. PORTRAIT OF QUEEN CHART G 


The erect regal figure wearing elaborate, gold-embroidered corona-_ 

Soe tion robes, the mantle lined and trimmed with ermine. She stands 
vA _—tefore a state chair, her left hand touching the jeweled crown, which ~_ 
rests upon a blue velvet cushion on a table at her side. Draped back- 

ground. | 


Height, 36 inches; width, 24 inches 


} its Ry he, 
a 
a “ 


BENJAMIN MARSHALL [Arrrisutep To] 
BRITISH: 1767—1835 


79. BAY HUNTER WITH GROOM 


Upon a grassy plain, silhouetted against a gray-blue sky, is a finely | 
iy, bo __tendered thoroughbred bay mare, saddled for hunting, with a groom _ 
at oe head. + 


Signed at lower left, B. MarsHauy B 
Height, 26 inches; length, 36 inch d 


Collection of the Earl of Shaftesbury 


72 


pesrerH [CLAUDE] VERNE 


FRENCH: 1712/1714—1789 


elie WRECK _ 


‘hae Under an angry sky massed en dark clouds and flashed by light- 
, , is a turbulent sea with rocky coastline, the lighthouse silhouetted 
. “against the sky. In the right foreground a wrecked sailing vessel 
fi with rescued figures, and others hauling in a raft. 


Height, 27% inches; length, 35% inches 


BALTHAZAR PAUWEL oe 


FLEMISH: 1755—1826 


SeeeeavOscare WITH CATTLE 


_ A mountainous and wooded landscape, with a classic memorial oc- 
a cupying the centre of the composition, shaded by the branches of a 
— gnarled oak tree. In the foreground, resting in the clearing by a 
stream, are naturalistically portrayed cattle, goats and sheep; at right, 
seen in deep shadow, their herdsman. Under a brilliant blue cloudy 
sky. zs 
Height, 27% inches; length, 36 inches 


4 a 
LORD os Pere ACs 


- BritisH: 1830—1896 


“82. SPIRIT pete FOREST 

Three-quarter-length figure with chestnut hair, wearing a loose- 
sleeved white robe, Pirdied at the waist with a mauve sash. In her 
O eight hand she molds. a rose. Background of blurred foliage. 

= Height, 39 inches; width, 28 inches 


73 


AUL MARIE LENOIR 


FRENCH: 1850—1881. 


82. THE BATHERS 


A mystical island under the shade of huge ilex trees with gnarled 
© —and lateral branches. Grouped in a colorful composition around 
the grotesque blue fountain are oriental maidens in various attitudes, 

some partially draped and others in kimonos, holding parasols. In 

the foreground opalescent water, with water-plants and flutterin 


fowl. 


gl 


io 
- 
jl 


co . 
io a 


Signed at lower right, P. LENorr, and iia 1874 
Height, 23 inches; length, 45 inches 


Collection of the late Lord Rhonda 
Exhibited at the Paris Salon 


4 § Caaaath eg 


JAMES POLTT A? 
BRITIsH: 1797—1859 


a 
40 LPHETROV AL Ale 


An undulating wooded spring landscape with a byway in the forem | 
sroune on which is a stage-coach animated with figures, and drawn 4 
by four horses, the near pair mottled gray. 4 


Signed at lower right, J. PoLLARD € 
Height, 30 inches; length, 41 inches 


- Collection of the late William Barron, Esquire 


74 


a eA 


JOSE MARTINEZ 


SPANISH: 1612—1682 


HE RATCATCHER. ioe oo OF THE 
ARTIST . 

—s vaded interior of a studio, in which is seated the artist, wearing 
a tattered black robe and a skull cap, and holding a rat trap. At his 
cS side is an alert dog, and perched upon his shoulder is a cat. Peer- 
ing from behind an easel, in deep shadow, is a tousled-haired boy. 


= | Height, 40 inches; width, 36% inches 
~ Authenticated by N. Mitchell of London 


~ 


NICO JUNGMAN 


- DutcH: CONTEMPORARY 


— 


: Before a Dutch landscape background is a maiden seated in profile 
a to the left, holding in. net arms a sleeping child, both in characteristic 
/ Costume. 


pee at lower left with thie artist’s monogram 


Panel: Height, 32% inches; width, 17 inches 


tt | 


Perro lt ER FRANCK 
| a 3e GERMAN SCHOOL 


enim teria in ics Agen mee ty 


lz : 

87. BATTLE SCENE [FROM THE PUNIC WARS] 
—__ A vivid massed composition of mounted and dismounted Romans 
ie ”D and Carthaginians in deadly combat; banners flying in the breeze. 
> = Background of a ribbon of blue mountains. 
a Height, 32% inches; length, 41 inches 


75 


. 


SIR GODFREY KNELLER ae TO] 


BRITIsH: 1646-1722 


88. PORTRAIT OF THE EARL OF CLARENDON 


Erect three-quarter-length bewigged figure of the young noble 

/ SO —Wearing a fur-trimmed green hunting costume. In his right hand 
he holds the leash of a greyhound, whose head appears at lower rie 

Indefinite background of foliage and blue sky. 

Height, 45 inches; ihe 34 inches 


hy 


he 
id 
> 


EARLY GPSRMAN SCHOOL 


89. THE CIRCUMCISION 


Interior of a Gothic church, exhibiting in the forsee the cir- 
cumcision of Our Lord. Standing at left are the Virgin Mother i 
and St. Joseph, and around the sacred group, other figures. 


Height, 46 inches; width, 36 ins 


—— 


LOUIS’ LINDAYDU 


VIENNESE, XIX CENTURY 


90: PEARL. OF PHE HAREM 


Within a shaded interior, seated upon a low draped divan, are the | 
ewetl modeled forms of two women of the harem, one partial 
« draped, the other nude. 4 


Signed at lower left, Linpau, Roma, and dated 1862 — 
Height, 39 inches; length, 48 inches 


76 


Adin 2 RLS eg 


HYACINTHE FRANCOIS sar RIGAUD 


| Ricaup-y-Ros | 


FRENCH: T0591 743 


gt. LA DUCHESSE DE BOURGOGNE 

: “ooking toward the observer is the three-quarter-length seated figure, 
4 _ Borgeously robed, her hair falling in ringlets to her shoulders. She 
wears pearl earrings and a collet of pearls, and an embroidered blue 
Be colicté dress trimmed with lace. Her left arm rests upon an 
; -ermine-lined crimson mantle; her right hand caresses a King Charles 
a ‘spaniel. Neutral ee una: 

ae ~ Height, 50 inches; width, 40 inches 


a. . Ga ri 
 — THO Me HUDSON 


a BrITIsH: 170I—1779 


PORTRAIT OF THE DUKE OF MARLBOROUGH 


BS. ‘Three-quarter-length standing figure of the Duke, wearing a curled 
a peru , posing before ‘a crimson drapery, his left arm resting upon 
-/ ‘a balustrading. At the lower left corner is a small terrier ant above 


9 a is a vista of trees. | 
Ae AN a) Ce Ree p 


‘ScorrisH: 1713—1784 


i @. 49 inches ; tea 39 inches 


SeeePORTRAIT OF LADY GRANT 

_ _Three-quarter-length figure of a statuesque lady seated amidst land- 
cape, wearing a décolleté vieux rose gown and a mantle of shaded 
Bs _ sapphire- -blue. Her left hand rests upon a basket of flowers. 

Height, 50 inches; width, 40 inches 


[END OF SALE] 


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77 


—~ 


i 


~WORKS 


‘Ss 


BECHEY » Sir Wiiuiam, R.A. 
Portrait of Madame de Staél 
a Portrait of Major General Hopgood 


EI LL NI, Giovanna [Follower of] 
Bi athroned Madonna and Child 
_ Madonna and Child with St. John 


4 er, BERNARDO 
_ View on the Giudecca, Venice 
GHEM, Nicoraas | 
- Les Voyageurs 


cus. mae [Schoo of | 

Village Festival —- 

3RUEGHEL [Peter] ann ROTTENHAMMER 
— Féte Musicale of Venus and Flora 
BUNDY, Epcar 4.2.4. 

The Toast 


SANALETTO [ ANTONIO CANAL | 
_ Cannaregio and Church of S. Geremia 


CONSTABLE, Joun R.A. [?] 


View near Christchurch, Dorsetshire 


ala 


| CROME, Joun [O.p] 
: The Lane near Guildford, Surrey 


es OF ARTISTS AND THEIR WORKS 


CATALOGUE 
NUMBER 


iS 
5 


61 


36 


13 


53 


69 


16 


64 


‘DONSELAAR, H. 
A View near Delft, Holland 


DUGHET, Gasparp, CALLED GAsPpARD PoussIN 
Landscape with Figures 


FANTIN-LATOUR, HENr1 
The Shepherdess 


FLEMISH SCHOOL [Earty] 


Boors Merrymaking 
Madonna and Child and the Flight into ae: 


FRANCK, MEtstTER 
Battle Scene [From the fine Wars | 


GERMAN SCHOOL [Earty] 


The Circumcision 


GUARDI [School of | 


Venetian Scene 


HARLOW, GeEorce HENRY 
Cupid and Psyche 
Venus and Cupid 


HERRING, J. F. 


Farmyard with Horses 
Farmyard with Horses 
Set of Twelve Water-color Paintings 


HERRING, Joun FREDERICK, SR., S.B.A. 


‘The Irish Hunter 
The Race at York 
Mares and Foals 


HUDSON, THomas 
Portrait of the Duke of Marlborough 


By ae 
 @— 
LA » 


vd 


HURLSTONE, FREDERICK YEATES 
Portrait of a Lady 


ad 
es 


| 7: 
ISABEY, Louis G. E. 
a Fishing Scene 


JUNGMAN, Nico | 
a ‘The Young Mother 


| _ KLENGEL, JOHANN CHRISTIAN 

_ Woody Stream with Figures 
> + ®£(Woody Stream with Figures 

t "KELLER, Sir GopFREY 

_ Portrait of the Duke of York | James II] 


_ KNELLER, SIR Goprrey Charbuted to | 
Portrait of the Earl of Clarendon | 


E _ LADBROOKE, Ropert 
View near Kingston on the Thames 
Crossing the Brook 


| LAWRENCF, Six Tuomas, P.R.A. 
Cornelius van der Geest: After Vandyck 


iz 
[4 
ia 


_ LEDOUX, JEANNE PHILIBERTE 
Portrait of a Lady in Character 


LEIGHTON, Lorn, P.R.d. 
i= Spirit of the Forest 


LENOIR, Paut Marie 
The Bathers 


_LINDAU, Lous 
Pearl of the Harem 


CATALOGUE 
NUMBER 


62 


86 


76 
88 


3D 
V7 


65 
50 
82 
83 


go 


LUNY, THomas 
Marine 
Off the Northumberland Coast 
The Lighthouse 


MARSHALL, Benyamin [Adtributed to] 
Bay Hunter with Groom 


MARTINEZ, JosE _ 
The Ratcatcher [Portrait of the Artest} 


IVAN eV cae 


Marine 


MIGNARD, PIERRE 
Portrait of Madame de la Valliére , 


MILLAIS, Sir Joun Everett, P.R.A. 


Effie Deans 
Uhes@herrye Girt 


MORLAND, GEorGE 
The Sailor’s Farewell 


NASMYTH, ALEXANDER 
Lake Windermere 


NASMYTH, Patrick [7] 
Landscape with Figures 


NASMYTH, Patrick 


Landscape with Ruins 
The Old Mill 
View near Epping Forest 


NORWICH SCHOOL 
Loch Katrine 


ae 


OMMEGANCK, BALTHAZAR PAUWEL 
_ ____ Landscape with Cattle 81 


PALAMEDES, AntHonre [In the Manner of] 


<< 
iy 


CATALOGUE 
NUMBER 


Classic Composition: A Homeric Legend [? ] 54 


POLLARD, James 
‘The Royal Mail — a 


_ POURBUS, Francois [The Younger] 


Maurice, Prince of Orange and Count of Nassau 70 


oe eg ee 


> o 
a 


MRAMSAY. Arian’ RA. 


ns 


4 _ Portrait of Francis Vesey 58 
: 4 Portrait of Lady Grant 93 
e Portrait of Mrs. Francis Vesey 59 
7 [ Elizabeth Kenrick] - 

§ Portrait of euven. Charlotte 78 


"a 


is REMBRANDT [School of]. 


i The Betrayal 12 
— i 


RIGAUD, HYACINTHE Aone -Ros] 
La Duchesse de Bourgogne gI 


f, 
ba 
: 


& =e Joun, R.A. 


Portrait of Master Milward el 


RUYSDAEL, Jakos van 
The Waterfall 5 15 


RUYSDAEL, Jaxosp Van [Follower of | 
Landscape with Figures 7 60 


SARGENT, Joun Sincer, R.4., N.A. 
Portrait of a Lady a1 


STARK, JamMeEs 
Crossing the Ferry 74 


STARK, James [4 fter] 
On the Thames near Marlow 


STUART, GILBERT 


Portrait of a Gentleman in a Black Coat 


VAN GOYEN, Jan 


Marine 


VAN POELENBURG, CornE Is 


Landscape with Classic Figures 
Landscape with Classic Figures 


VAN DE VELDE, Witiem [The Younger | 


Marine 


VAN LOO, Car Le 
Portrait of Mlle. Marie Salle 


VAN LOO, Jean BapristE 
Portrait of the Princess Sobieska 


VENETIAN SCHOOL 
The Doge’s Palace, Venice 


VERELST, Corne tis 


Portrait of Miss Elizabeth Scott 
Portrait of Miss Madeline Scott 


VERNET, EmiLte JEAN Horace 


Harbor Scene 


VERNET, Jos—EpH [CLAUDE | 


Lowers Fishing in the see of Naples 
The Wreck 


VINCENT, GEorGE 
St. Paul’s from the River 
View near Monmouth, South Wales 


CATALOGUE | 
NUMBER 


Sig 
524 
57 al 


2k 
22 


45 


14 
80 


28 
67 


CATALOGUE 
NUMBER 


Ferry from Barton Castle 55 


ne x 


66 


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meet RATISALS FOR 


f) UNITED STATES & STATE TAX 
INSURANCE & OTHER PURPOSES 


Pee LCAN ART ASSOCIATION 


Meee OGUES OF PRIVATE 
COLLECTIONS 


CK KTAA™,_» 


HE American Art Association, Inc. will 
furnish appraisements, made by experts under 
its direct supervision, of art and literary property 
and all personal effects, in the settlement of estates, 
for inheritance tax, insurance and other purposes. 
The Association is prepared to supplement 
this appraisal work by making catalogues of pri- 
vate libraries, of the contents of homes or of entire 
estates, such catalogues to be modeled after the fine 
and intelligently produced sales’ catalogues of the 
eAssociation, GQ Upon request the Association 
will furnish the names of many trust and insurance 
companies, executors, administrators, trustees, 
attorneys and private individuals for Whom the 
cAssociation has made appraisements which not 
only have been entirely satisfactory to them, 
but have been accepted by the United States 
Estate Tax Bureau, the State Tax (ommission 
and others in interest. 


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NEW YORK 


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ii 


Sar ay Fah 


